The Enregisterment of the Kailyardist Pathos: a Debate on Linguistic Authenticity and Nationhood in the Literature of Modern Scotland
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Keywords

scots; enregisterment; authenticity; kailyardism

How to Cite

Tissens, R. (2023). The Enregisterment of the Kailyardist Pathos: a Debate on Linguistic Authenticity and Nationhood in the Literature of Modern Scotland . GAUDEAMUS, the Journal of the Association of Young Researchers on Anglophone Studies, 135–146. Retrieved from https://reunido.uniovi.es/index.php/GAUDEAMUS/article/view/20716

Abstract

This note focuses on the case of Scots as an enregistered variety, in Asif Agha’s (2003) terms, and the processes whereby it is represented in literature, the cultural meanings indexicalised in the variety and the Kailyardist movement as an important precursor for the establishment of the variety in literature. Throughout the note various aspects of non-standard language in literature are reviewed and several examples of Scots in kailyardist, revivalist and postmodernist works are commented upon. Considering Scots as the voice of the Scottish nation and a vehicle for political and sociocultural manifestation, this note serves to understand why authentic renderings, in opposition to less elaborate representations, are essential to preserve the indexicalised meanings of the variety.  The note concludes with a brief observation of modern-day stereotypes of Scots easily findable in television and the notion of Scottishness as a continuum.

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