Abstract
Building on the most public aspects of daily life, as well as on the most private practices in the public arena, the 18th-century catalan aristocracy, like that of the rest of Europe, shaped new ways of showing itself and presenting itself to the world. The creation of a lavish masque had in the arrangement of inhabited architectures the ideal circumstances to build a perfect stage set. Private architectures, always perceived as constantly-evolving occupied spaces, as a reflection of the personalities, tastes and fashions of a particular period, as multifaceted scenarios for actions, duties, desires and functions: in short a ―composed work‖. Images of ornato and atrezzo, where dressing the body, discovering tempos in the exercise of relations and strolling through furnished spaces are the backbone of an accomplished geography of inhabitation.