Abstract
The Spanish Enlightenment saw colour as an essential factor in its reform of the so called secondary arts or crafts as shown by the numerous recipe-books and handbooks dedicated during the 18th century to the improvement of the art of dyeing. Until the present, the taste for new 18th century colour combinations has been studied mainly by researchers dedicated to fashion and costume. Their assumptions have been used in the historiography of domestic interiors without further critical discussion. But other sources not so far examined from this point of view, such as notarial inventories of domestic objects, challenges thisreceived image. The present article, based on the study of over two hundred inventories from the city of Zaragoza between 1700 and 1804, examines systematically the colour denominations used by notary clerks in their descrptions of domestic objects with the aim of initiating a study of the different cultural meanings of colour.