Abstract
At the Exposition universelle de Paris, 1855, the french ebaniste-sculpteur, Alexandre G. Fourdinois exposes for the first time, one of his famous neo-renascence works, a cheminée. A monumental piece made of green marble ornated by golden bronzes surmounted by a carved walnut woodwork, this piece was considered the most influent of the exposition. At the end of that century, this cheminée was detected at Palácio de Marquês da Foz in Lisbon. A century later, after being sold and considered “lost”, this piece was acquired by the Municipallity of Oeiras. The deteriorated state of conservation, determined an intervention at the level of the surface and the main structure, performed by FRESS. This article aims to present the methods adopted during the conservation intervention.
After being restored the Cheminée is now exposed at Palácio Marques de Pombal in Oeiras, its current owner.
References
AMARAL, Conceição, A lareira da Casa Fourdinois: uma obra emblemática do Segundo Império, Fundação Ricardo do Espírito Santo Silva, Lisboa, 2013.
GABET, Olivier, La Maison Fourdinois: néo-styles et néo-Renaissance dans les arts décoratifs en France dans da second moité du XIXe siécle, Paris, Écoles des Chartes, Théses, Paris, 2000.
ROBIN, Charles, Histoire illustré de L’Exposition Universelle par categories d’industries, Paris, Furne, Libraire-Editeur, 1855.
ROBIN, Charles, Histoire illustrée de L’Exposition Universelle par categories d’industries, Premiére Partie, Furne Libraire, Paris, 1855.