Abstract
Little by little the rooms of the art collection of Mrs. Núria Pla open to the public. They assemble antic furniture, mainly Spanish of the Modern Age. This magnificent news forces us to reflect on what it means to devote the life to a passion that is lived in silence, but which, now, in sight, reveals the ideals, interests and tastes of its owner. We are interested in entering the collection, not only because we share the interest in the furniture, but also because of the exceptionality of the selection, which is preserved in a singular building, where she placed the Works of art herself. Currently, the responsible foundation has the challenge of restoring the building of A. Florensa and making public the two facets that took place inside: the art collection and the laboratory Ravetllat Pla that was fighting against pulmonary affections and tuberculosis.
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