Branch and transversal female connections: Belén Moneo Feduchi, Marisa Sáenz Guerra y Cristina Vallejo Llopis
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Keywords

mobiliario
diseño
arquitectura
Belén Moneo
Maris Sáenz
Cristina Vallejo furnishement
design
architecture
Belén Moneo
Marisa Sáenz
Ctristina Vallejo

How to Cite

Hervás y Heras, J., & Blanco-Agüeira, S. (2021). Branch and transversal female connections: Belén Moneo Feduchi, Marisa Sáenz Guerra y Cristina Vallejo Llopis. Res Mobilis, 10(13-2), 391–413. https://doi.org/10.17811/rm.10.13-2.2021.391-413

Abstract

These creative women with filial attachments as well as professional linkages between the architecture and the world of design will enable us to analyse the temporal, aesthetic and material connections produced in an environment of close familiarity with the world of avant-garde furniture and interior design in Spain. In the case of Belén Moneo, we must indicate that in collaboration with Jeff Brock, she has cooperated in Rafael Moneo's intervention at the Museum of Modern Art and Architecture in Stockholm (1991/98). On her side, Marisa Sáenz Guerra and her brother Vicente, also had the privilege of working with Francisco Javier Sáenz de Oíza on various projects and construction management. Lastly, Cristina Vallejo Llopis has collaborated with her father in the project management of several buildings, but her closest connection with her father is settled in the Almería chair (1959), a string furniture made of metal structure and esparto grass.

https://doi.org/10.17811/rm.10.13-2.2021.391-413
PDF (Español (España))

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