Abstract
This paper aims to examine the ethical, aesthetic a
nd functional shift developed by the widespread use of street furniture and street lighting as a way
of urban planning into 19th century cityscapes, approaching some of the urban reforms promoted in Havana by Miguel Tacón y Rosique during his governing period (1834-1838), such as San Francisco waterfront or Isabel II Boulevard.
Both gathering places had different functions signi
fied by street furniture’s new city codes.
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