Abstract
The histories of Italian design and architecture may be more readily understood if one considers that many of theprotagonists are architect-designers.
Identifying the root of this convergence in an academic and professional educationalsystem based on the idea of the "complete architect", trained to work at any scale of design, thispaper frames the work of the architect-designers within the cultural, economic and manufacturingcontext of the period between the 1920s and 1980s, when for historical reasons their role becameparticularly significant.
Furthermore, many design historians in Italy are the product of the same educationas the architects, and having followedthe same course of studies as the architectural historians, they acquired the same techniques of investigation and interpretation, which they later refinedin their own fields. The theme is thus explored from the perspectives of the two authors, both architects but with specific training one as an architectural historian, and the other as a design historian. The relationship between the two researchdirections–the theoretical debate and its narrations, the relationship between designers and manufacturers –makes itpossible to clarify some of the aspects that distinguish the history of Italian design culture compared to that of other Western nations.