Narrative, Stasis, and Intermediality in the Photography of Gregory Crewdson

Abstract

The examination of still/motion has been a longstanding subject within the realm of art history, but its significance has gained greater prominence in the field of film studies since the 1970s. However, it appears that the focus has predominantly been on the aspect of motion, overshadowing the exploration of stillness. This paper examines Gregory Crewdson's use of stillness to create narrative and emotional effects in his photography, specifically in the series An Eclipse of Moths. Drawing on theories of still/motion and intermediality, and situating his work within the broader context of contemporary photography, the paper demonstrates how Crewdson's work reflects and contributes to debates and trends within the medium. Crewdson's static lens captures moments of emotional and psychological intensity, offering a remarkable exploration of the power and complexities of photography in narrating. First, this paper delves into how Crewdson blurs the boundaries between photography and cinema, and the consequent impact on the narrative power of his photographs. Second, it explores the role of cinematic techniques, such as lighting, composition, and staging, in enhancing the narrative quality of Crewdson's photographic works. Finally, it examines how Gregory Crewdson employs stillness and stasis to convey narrative depth and evoke emotional resonance in his photography.