Abstract
This paper explores the role of the city in Jonathan Safran Foer’s Extremely Loud
and Incredibly Close. It focuses on the dialogue between text and images and how both are
used to present the trauma of 9/11 events in terms of the complexity of the formal aspects
used to represent the city.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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