The Witch and the Dissolution of the Human-Nature Divide: Narrative Ecologies and the Fictional Uncanny in Ottesa Moshfegh's Lapvona
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Keywords

Contemporary literature
eco-anxiety
horror
narrative ecologies
more-than-human relations
witchcraft Literatura contemporánea
eco-ansiedad
horror
ecologías narrativas
relaciones más-que-humanas
brujería

How to Cite

Barboza Arias, L. M. (2026). The Witch and the Dissolution of the Human-Nature Divide: Narrative Ecologies and the Fictional Uncanny in Ottesa Moshfegh’s Lapvona. Journal of Artistic Creation and Literary Research, 14(2), 1–27. https://doi.org/10.17811/jaclr.24824

Abstract

This article analyzes Lapvona (2022) by Ottessa Moshfegh from the perspective of narrative ecologies and the field of the fictional uncanny. Through the character of Ina—accused of witchcraft and recognized for her embodied knowledge of plants, animals, and bodies—the study examines how the novel destabilizes the modern divide between humans and nature. Rather than presenting the uncanny as a supernatural intrusion, Lapvona articulates it as a perceptual intensification that reveals the material continuity among organisms, landscapes, and more-than-human forms of life. The analysis focuses on three dimensions: the materiality of bodies and fluids, abjection as a pathway to knowledge, and multisensoriality as a perceptual practice. Finally, the article argues that the figure of the witch functions as a narrative device that reinscribes the sacred within the shared materiality of the living world.

https://doi.org/10.17811/jaclr.24824
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Copyright (c) 2026 Luis Miguel Barboza Arias

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