Sorolla and Itálica: Affinities Between Ancient Heritage and Portraiture

Abstract

This study examines the connection between the painter Joaquín Sorolla and the Archaeological Ensemble of Itálica. It highlights the cultural and artistic exchanges with Sevillian collectors in the early 20th centuries. One of the most significant archaeological sites in these years was Itálica. The intensity of excavations and collecting activities continued until the Ley de excavaciones y antigüedades de 1911 came into effect. Joaquín Sorolla, who spent long periods in Seville starting in 1902, was drawn to this excitement. He visited the site frequently and examined the artifacts being uncovered.

Sorolla also built relationships with key figures influential in Itálica at the time. Archer Milton Huntington excavated Itálica in the late 19th century and later commissioned a major work from Sorolla for the Hispanic Society of America in New York. Regla Manjón, the Countess of Lebrija, reportedly gifted him two columns from the site. Additionally, Sorolla painted José Gestoso for the gallery of illustrious figures at the Hispanic Society. This article explores the intricate relationships surrounding Itálica, which played a central role in this vibrant period.