Liño

Current Issue

Vol. 32 No. 32 (2026)
Published July 7, 2026

Art history research journal

Liño is an international scientific research publication on art history and heritage.

Liño provides access to all content with no restrictions, from the time of its publication in electronic edition. It is published annually.

 

Sumario

Natalia Tielve García
1-8
Sumario
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Artículos

Diego Pisabarros Ramos
9-20
The silence of winter: iconography and personification of cold in Hispano-Roman mosaics
https://doi.org/10.17811/li.32.2026.9-20
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Julia María García Morales
21-34
Rhetoric and emotionality in Byzantium: The fainting of the Mother of God in 11th- 13th Century visuals representations
https://doi.org/10.17811/li.32.2026.21-34
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María del Carmen Pérez Palomo
35-44
The low medieval female nobility in Cordoba and the conventual foundations in their mudejares palace-houses
https://doi.org/10.17811/li.32.2026.35-44
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Nuria Martinez Jiménez
45-54
Luis Machuca in Italy in 1545: new insights from visual culture
https://doi.org/10.17811/li.32.2026.45-54
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César Javier Benito Conde
55-62
The drawing for the altarpiece of Santa Eulalia de las Dorigas, in Asturias: classicist wooden architecture for a rural parish
https://doi.org/10.17811/li.32.2026.55-62
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David Sánchez-Sánchez
63-72
A master on the fringes. Contributions to the life and work of the silversmith from Ávila Andrés Hernández "the Portuguese" († 1556)
https://doi.org/10.17811/li.32.2026.63-72
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Jesús López Ortega
73-82
The unknown member of a saga of valencian artists residents at the Court: Vicente López de Enguídanos Perles. Biographical profile.
https://doi.org/10.17811/li.32.2026.73-82
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Elena Marina Fernández Román
83-92
The Chronological Serie of the Kings of Spain: an overview of the project conceived by José de Madrazo and Isabel II
https://doi.org/10.17811/li.32.2026.83-92
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Patricia Fernández Fernández
93-102
The Face of Merit: Portraiture, Visibility and Intellectual Authority in Ramón Pérez de Ayala
https://doi.org/10.17811/li.32.2026.93-102
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Francisco Xabier Louzao Martínez
103-114
The dispersion of Spanish artistic heritage at the beginning of the 20th century: the white gala suit made by the embroiderer Romualdo Bonet for Lugo Cathedral in 1802 and the one preserved today
https://doi.org/10.17811/li.32.2026.103-114
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Ana Valtierra Lacalle
115-126
Sorolla and Itálica: Affinities Between Ancient Heritage and Portraiture
https://doi.org/10.17811/li.32.2026.115-126
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Andrés Luque Teruel
127-136
Ambiguous erotic and lesbian content in the painting of Hennri Matisse, 1904-1910
https://doi.org/10.17811/li.32.2026.127-136
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Inés Serrano Arnal
137-146
Between portrait and landscape: the painter Elvira Malagarriga (1879 – d.1955)
https://doi.org/10.17811/li.32.2026.137-146
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Pedro Vázquez-Miraz, Marcos Ricardo Posada Llorente, Camilo Andres Pastrana Quintana
147-156
Historic-Democratic Memory and World Heritage. Franco's personal coat in the Monastery of Santa María de Sobrado
https://doi.org/10.17811/li.32.2026.147-156
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Patricia Fernández Pastor
157-168
The America Square (Oviedo/Uviéu) that never existed: a journey through the papers of the Asturian emigrant’s exaltation monument
https://doi.org/10.17811/li.32.2026.157-168
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Francisco Egaña Casariego
169-180
A city, a landscape and a carácter: Joaquín Vaquero Palacios (1900-1998) and Segovia
https://doi.org/10.17811/li.32.2026.169-180
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María Elena Giménez Reneses
181-190
Concept, transformability, and memory in the designs of Vico Magistretti
https://doi.org/10.17811/li.32.2026.181-190
PDF (Español (España))
Verónica Capasso, Raíza
191-200
Between rivers, bodies and plastics: images to re-inhabit the world in times of ecological crisis
https://doi.org/10.17811/li.32.2026.191-200
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